Thursday, May 10, 2012

This Kind of Thing Doesn't Happen...

This Kind of Thing Doesn't Happen Often and When It Does You Should Pay Attention

i thank heaven somebody's crazy
enough to send me a daisy
--e.e. cummings

On Piedmont Road, going north,
before my car there floated forth

a soapy bubble in the traffic,
glistening and holographic.

It drifted down into my path,
this ghostly sphere from someone's bath.

I watched it bob and almost tickle
A Harley-Davidson motorcycle

then rise (as it got quite exhausted)
That's where I left it, fair and frosted.

For this unexpected act
I thank heaven (I think), in fact,

that someone went to all the trouble
to blow me a bubble.

- John Stone

The Forgotten Dialect Of The Heart

How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind's labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not laguage but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.


By Jack Gilbert

Monday, April 30, 2012

Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means. 


By Billy Collins

Friday, April 27, 2012

Horses at Midnight Without a Moon


Our heart wanders lost in the dark woods.
Our dream wrestles in the castle of doubt.
But there's music in us. Hope is pushed down
but the angel flies up again taking us with her.
The summer mornings begin inch by inch
while we sleep, and walk with us later
as long-legged beauty through
the dirty streets. It is no surprise
that danger and suffering surround us.
What astonishes is the singing.
We know the horses are there in the dark
meadow because we can smell them,
can hear them breathing.
Our spirit persists like a man struggling
through the frozen valley
who suddenly smells flowers
and realizes the snow is melting
out of sight on top of the mountain,
knows that spring has begun.

By Jack Gilbert

Thursday, April 26, 2012

Smoke


Light-winged Smoke, Icarian bird,
Melting thy pinions in thy upward flight,
Lark without song, and messenger of dawn
Circling above the hamlets as they nest;
Or else, departing dream, and shadowy form
Of midnight vision, gathering up thy skirts;
By night star-veiling, and by day
Darkening the light and blotting out the sun;
Go thou my incense upward from this hearth,
And ask the gods to pardon this clear flame.

 
By Henry David Thoreau

Wednesday, April 25, 2012

Fishing on the Susquehanna in July

This poem, by Billy Collins -- former US Poet Laureate -- has been deemed a "culturally significant poem" and has been added to the preserved works of the United States Native American literary registry.

Fishing on the Susquehanna in July 
 
I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

Not in July or any month
have I had the pleasure--if it is a pleasure--
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one--
a painting of a woman on the wall,

a bowl of tangerines on the table--
trying to manufacture the sensation
of fishing on the Susquehanna.

There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandanna

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame.

Tuesday, April 24, 2012

To Whom It May Concern

I'm sharing another video, but I love this song, so this is a "Just because I like it" post. Also, if you aren't listening to The Civil Wars, you are doing yourself a serious injustice. They are magic.